In recent years I’ve been more and more drawn to being closer to the food I eat. I’ve been slowly building my own garden and starting to plan for my own animals to be raised for me. A few years ago I spent some time helping a friend get their garden setup and on the day captured below I had just finished rototilling a patch of ground. It has never been tilled before and had grassed planted on it for many years. It was rough going and with the elderly rototiller I had at my disposal I was completely exhausted by the whole event.… Click here to read more!
I am constantly trying to evaluate what camera gear I need and what camera gear I don’t. I am in the process of selling off a considerable amount of equipment and cutting back to just the gear I like and use. I don’t consider myself a collector of camera gear so selling on unused equipment is just a matter of course for me. If I find myself leaving certain pieces of gear at home or just not taking it out of my bag when I’m out shooting, it goes. I don’t want to carry gear I don’t use and I don’t want my money tied up in gear collecting dust.… Click here to read more!
One of the benefits to shooting digitally is that you have a record of the settings and equipment combinations embedded into each image you make. Every time you click the shutter on your camera, be it a high end DSLR or a cheap point and shoot, the image file has what’s called EXIF data baked into it. You can look at the image and then reference the settings you used to make it, which is very helpful in learning the interactions between shutter speed, aperture and ISO. When I was learning to use my DSLR I used this information all the time and as I’ve moved over to film I have used my experience in digital shooting to help me set the camera for the image I want to make.… Click here to read more!
First, as always, the story. Scroll down for my ‘review’.
As a film shooter I’ve been struggling a lot lately with getting my images converted to digital. I have tried two scanners, the Epson Perfection V500 and the Plustek 7500i and while both get reasonably good reviews online, I was not having any luck getting quality scans from them. I’m sure it’s operator error but even at low resolutions the scans were not even half as sharp as the source film and once scanned it took me a long time to process each image to have good color and contrast (let alone getting the scanner to help clean up dust and scratches).… Click here to read more!
If you look around the internet you will find what almost appears to be a bit of a film renaissance. People all over the internet are adding film back into their photography. It seems people are not abandoning digital for film, they are simply adding film to how they work. While the end result between digital and film are the same, pictures, they both have various strengths and weaknesses that can and should be exploited.
Digital is really great at a lot of things and I shoot 75% of my work on my Nikon D300. You can make thousands of tweaks to the camera, change the ISO speed at any time and can see what your shots look like right now.… Click here to read more!
When I first bought my Nikon FE I canvased a few people I know that have or do shoot film to find out what they recommend for a general use film. Something that I could use for whatever might come my way. Everyone said to look for a 400 speed film and a number of them pointed me squarely at this Fuji film. It’s a standard print film that can be handled and processed most anywhere. I bought a few 36 exposure rolls and went to town, so to speak.
I am pretty impressed with this film. It does have a healthy amount of grain to it, though it’s not distracting, and it does very well with shadow detail.… Click here to read more!
I’ve been shooting a lot of film as of late. Nothing fancy, just standard 35mm film. I have not, nor do I plan to stop shooting digital it’s just that I’ve started shooting film as well. To be honest I don’t even remember why I started shooting film, it just happened one day. I guess it was around the same time Nikon released the D3 and the D700, digital cameras with an image sensor that is the same size as a frame of 35mm film. I got to thinking about the cost of the new digital cameras, $5,000 and $3,000 respectively and I wandered around the internet looking for the cost of color film and Nikon film SLRs that could use the lenses I already own.… Click here to read more!
I ordered this film to allow me to shoot in dark environments and also to capture in black and white. This is a ‘professional’ film designed to be shoot at ISO1600 but can be ‘pushed’ to ISO3200. ‘Pushing’ film means you shoot it a stop slower and then push the exposure during processing allowing you to bring out the images that are essential underexposed by a full stop. It’s a trade off in quality but the image you have it always better then the one you don’t and gaining that extra stop can make a huge difference in tricky low light situations.… Click here to read more!
I ordered this film after I shot my three rolls of Fuji Superia 400 film as a part of my effort to take a look at a few of the more popular options in 35mm film. This was my most disappointing film to date. At first I thought that it was perhaps me who made the mistake. Perhaps I shot the film wrong or didn’t set something correctly but I looked through my images and found some Fuji Superia that I shot in the exact same way as this film. I shot one then the other at the same event. The only actual difference is I shot this film mostly with one of Nikon’s best lenses, the 14-24mm.… Click here to read more!